William's original Florian Daisy is featured above - a double-gourd Florian Daisy with its vibrant green and blue hues, is not just a decorative item but a testament to William’s artistic vision and technical skill. This piece captures the essence of the Art Nouveau movement and the early 20th-century fascination with nature, making it a prized artifact from a celebrated age of British art pottery with the modern counterparts standing proud in timeless elegance.
The Florian Blue (Engobe) is not the only Moorcroft design that still uses this Moorcroft technique.
The Colour Blue is a 9-inch Moorcroft Pottery vase, designed by Paul Hilditch. Part of Moorcroft’s Bluebell Collection, it comes as a numbered edition.
“While March is dominated by glorious displays of Wordsworth’s daffodils, May is the month when the Lake District celebrates the humble bluebell, Hyacinthoides non-scripta. Paul and his wife came back from a walk in Ambleside, having enjoyed the wondrous spectacle of carpets of bluebells.
To capture this experience, Paul adopted the Moorcroft blue engobe technique, where a blue clay is used before decoration commences. The Colour Blue sees clouds of ancient woodland erupt into shades of blue with bluebells delicately dotted as far as the eye can see. Draped under the rim of the vase, swathes of bluebells tower over the trees as if the trees are a mere reflection of an endless pool of blue shadows.”
“While March is dominated by glorious displays of Wordsworth’s daffodils, May is the month when the Lake District celebrates the humble bluebell, Hyacinthoides non-scripta. Paul and his wife came back from a walk in Ambleside, having enjoyed the wondrous spectacle of carpets of bluebells.
To capture this experience, Paul adopted the Moorcroft blue engobe technique, where a blue clay is used before decoration commences. The Colour Blue sees clouds of ancient woodland erupt into shades of blue with bluebells delicately dotted as far as the eye can see. Draped under the rim of the vase, swathes of bluebells tower over the trees as if the trees are a mere reflection of an endless pool of blue shadows.”